In naturalist work, full of crowd scenes, the chorus is a collective character real, understandable and appreciate the great care that was bestowed on them, first, of course, by his Director Salvatore Caputo, who deals with enthusiasm and knows how to transfer the scores to the choir, which, in turn, is "only" the task of giving voice to it that reaches the public. Perhaps
to shape vocal enthusiasm, Caputo wanted to give the singers the opportunity to show extensions worthy of solo status, so the smugglers have been celebrating freedom marking the rhythm on a high C, that the score does not dare to assign the maximum, but that Caputo was considered a sort of "repressed desire" by Bizet, unfulfilled to respect the limits of the texture that the school and assigned to the choir practice.
But if an actor is, why not give the team the possibility of a choral virtuosity, isolated, coherent and beautiful effect verbatim? Guingal agreed with, well, then a rebel freedom of C4!
to shape vocal enthusiasm, Caputo wanted to give the singers the opportunity to show extensions worthy of solo status, so the smugglers have been celebrating freedom marking the rhythm on a high C, that the score does not dare to assign the maximum, but that Caputo was considered a sort of "repressed desire" by Bizet, unfulfilled to respect the limits of the texture that the school and assigned to the choir practice.
But if an actor is, why not give the team the possibility of a choral virtuosity, isolated, coherent and beautiful effect verbatim? Guingal agreed with, well, then a rebel freedom of C4!
"Oltrecultura" -11 March 2011
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